Déborah Bucchi
Associate professor of theater history and aesthetics
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Déborah Bucchi is an associate professor of theater history and aesthetics at the University of Lorraine. At the intersection of anthropology, philology, and theater studies, her doctoral research explored the modes of representing the divine through a comparative approach that brings ancient performative practices—particularly Greek tragedy—into dialogue with ultracontemporary stage forms (theatrical, operatic, and choreographic). Her publications include a chapter on representations of the earth in Aeschylus and Bruno Latour in the anthology Le Cri de Gaïa (Gaia’s Cry) (La Découverte, 2021, ed. Frédérique Aït-Touati and Emanuele Coccia), an article on the materiality of the double of Euripides’s Helen in the journal Mètis (EHESS, 2021), and reviews in the journal Critique. Together with Adrien Zirah, she coedited the Daniel Mendelsohn interviews published by Éditions du Seuil under the title Entrelacs (2026). She contributes to the journal Les Temps qui restent and is currently preparing a book based on her dissertation on the experience of the divine in theater (Classiques Garnier).
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