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maɬni – towards the ocean, towards the shore

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As part of the exhibition The sun comes in whenever it wants, LUMA Arles presents maɬni – towards the ocean, towards the shore, Sky Hopinka’s first feature film. The screening will be preceded by a conversation with the artist and Diana Flores Ruíz, Assistant Professor Cinema & Media Studies (Washington, Seattle).


maɬni is an experimental and poetic documentary, which follows two young Native Americans from the Pacific Northwest, Sweetwater Sahme and Jordan Mercier. In front of Sky Hopinka's camera, they share, in English and Chinuk Wawa, their wonderings about their American life in relation to their indigenous identity. Contemplative and meditative, the film captures the rhythm of natural elements such as water and intertwines with Chinook myths about the cycles of life and death. In a beautiful photography, maɬni provides a crucial insight at contemporary indigenous life.
malni - still 3
Credits
Sky Hopinka, maɬni – towards the ocean, towards the shore, 2020. Extrait du film / Courtesy de l’artiste.
Sky-Hopinka

Sky Hopinka

Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luiseño Indians) was born and raised in Ferndale, Washington and spent a number of years in Palm Springs and Riverside, California, Portland, Oregon, and Milwaukee, Wisconsin. In Portland he studied and taught chinuk wawa, a language indigenous to the Lower Columbia River Basin. His video, photo, and text work centers around personal positions of Indigenous homeland and landscape, designs of language as containers of culture expressed through personal, documentary, and non fiction forms of media. He received his BA from Portland State University in Liberal Arts and his MFA in Film, Video, Animation, and New Genres from the University of Wisconsin-Milwaukee, and currently teaches at Bard College in Film and Electronic Arts.
ruiz_diana_photo

Diana Flores Ruíz

Diana Flores Ruíz, Ph.D., is Assistant Professor in Cinema & Media Studies at the University of Washington, Seattle, where she teaches courses on race and media in the US. Dr. Ruíz’s research and writing examine how popular media and surveillance technologies coproduce visual infrastructures of racialized violence, as well as the ways in which artist and activist mediations propose alternative forms of safety, survival, and sovereignty. Her essay on Sky Hopinka “Visiting: Towards Ethical Forms of Encounter” will be published in the exhibition catalog The sun comes in whenever it wants at the fall 2022.